Radiohead's Creep opens with one of the most emotionally charged progressions in early nineties alternative rock: G, B, C, Cm. The sequence begins warmly enough, with the major G giving way to a bright B major that already feels slightly unexpected, almost yearning. The move to C brings momentary resolution, before the Cm pulls the floor away — that darkening minor chord landing like a quiet crisis, a shift in the gut rather than just the ear. It is a progression that feels inevitable in retrospect yet consistently surprising in the moment, cycling with a kind of aching momentum. Released in 1992, the song became closely associated with the raw, confessional spirit of the era's alternative rock scene.